by Henry Hills
16mm film, color, sound (optical), 15', 1985
The mechanical specificities of film made it by far the most adequate medium to reveal cities’ inner rhythms. In the early 20th century, a film genre coined City Symphony vividly captured on celluloid the core of cities like Berlin, Paris, Odessa and Oporto. Pioneer filmmakers such as Ruttman, Sauvage, Vertov and Oliveira were able to translate and synthesize the urban struggle towards modernity, while channeling it towards a highly subjective mechanical ballet.
The film "Money", composed by the synesthetic genius Henry Hills, might be the last of the City Symphonies. The film is a concrete collage, a masterpiece that unveils New York City’s ultra fast inner currents, fueled by the lack of money and the creativity of its inhabitants. From the remainings of a city destroyed by financial crisis, Henry Hills builds up the ultimate mechanical view of his town.
“Rapid movements for the listening eye.”
Saturday, January 21, 2012, 11 pm